更新时间:2017-08-13
Dai • 合法副本:是他，也是她
对我来说，这部片子最美妙的部分是：我在两个人身上都看到自己。
我即是那个在纪念日特意梳妆打扮丈夫却毫无觉察呼呼睡去而因此勃然大怒的女人。
我也是那个在婚姻和生活里消磨了热情和心志以至于在纪念日的晚上全无兴致呼呼睡去的丈夫。
我永远渴望新鲜的炙热的爱恋，也能看到并且相当程度上欣赏所谓“落光了树叶的花园”。然而即便如此，这并没有让浸没在生活里的每一天变得更容易一点。
感谢阿巴斯如此平淡的、不加雕饰的讲了这个故事。讲述的方式和内核同样出色。比诺什阿姨不必说，男主也真是老去的文艺男青年的完美代言人啊。被动和沉默的恰到好处，丝毫不让人讨厌。
话说“落光了树叶的花园”是我全片印象最深刻的台词，摘录如下：
The only thing that will keep their marriage and love is care, care and awareness.
Awareness of what?
That things change. Everything changes and promise couldn't stop that. Like you don't expect a tree to promise to keep its blossom after spring is over, because blossom turns into fruits. And then the tree loses its fruits.
And then?
And then...the garden of leavelessness.
The garden of leavelessness?
It's a Persian poem. "The garden of leavelessness, who dare say that it isn't beautiful?"
再摘两段阿巴斯和比诺什的访谈。
1, Can you comment on the meaning of your last scene? The man is looking at himself in the mirror. What’s happening?
Abbas: He is not looking so much at himself but at the spectator. All I see in his face is that he is overwhelmed by what he sees. After this woman has exposed her emotions and soul, he cannot just leave her and he cannot stay easily either. He cannot be self-centered and narcissistic. Even if he is self-centered, being placed in a situation like this makes him feel. If Juliette touches you the spectator when she stammers James, it cannot not have touched him as well.
2, How much is this film about male/female relationships?
Juliette: “Abbas is pessimistic about whether men and women can communicate. The fact is that women are so much more involved in emotions than men are. We expose ourselves more than men, perhaps because we give birth. Of course, I don’t like to generalize: my character is also very male, goes forward, is active. And Abbas also said that the woman character is him: he raised his children on his own, he did the mother’s job. As an Iranian man, he is very generous with women. “
She continued with the gender discussion — perhaps a key to this film which ends with Juliette’s character in frustrated tears, lying on a bed. “What Abbas says is that men tend to put an intellectual distance between their emotions and the world in order to function, which is understandable, because if everyone were expressing emotion, the world would be upside down. I think we push men too much in trying to communicate, to get more intimate.”
我即是那个在纪念日特意梳妆打扮丈夫却毫无觉察呼呼睡去而因此勃然大怒的女人。
我也是那个在婚姻和生活里消磨了热情和心志以至于在纪念日的晚上全无兴致呼呼睡去的丈夫。
我永远渴望新鲜的炙热的爱恋，也能看到并且相当程度上欣赏所谓“落光了树叶的花园”。然而即便如此，这并没有让浸没在生活里的每一天变得更容易一点。
感谢阿巴斯如此平淡的、不加雕饰的讲了这个故事。讲述的方式和内核同样出色。比诺什阿姨不必说，男主也真是老去的文艺男青年的完美代言人啊。被动和沉默的恰到好处，丝毫不让人讨厌。
话说“落光了树叶的花园”是我全片印象最深刻的台词，摘录如下：
The only thing that will keep their marriage and love is care, care and awareness.
Awareness of what?
That things change. Everything changes and promise couldn't stop that. Like you don't expect a tree to promise to keep its blossom after spring is over, because blossom turns into fruits. And then the tree loses its fruits.
And then?
And then...the garden of leavelessness.
The garden of leavelessness?
It's a Persian poem. "The garden of leavelessness, who dare say that it isn't beautiful?"
再摘两段阿巴斯和比诺什的访谈。
1, Can you comment on the meaning of your last scene? The man is looking at himself in the mirror. What’s happening?
Abbas: He is not looking so much at himself but at the spectator. All I see in his face is that he is overwhelmed by what he sees. After this woman has exposed her emotions and soul, he cannot just leave her and he cannot stay easily either. He cannot be self-centered and narcissistic. Even if he is self-centered, being placed in a situation like this makes him feel. If Juliette touches you the spectator when she stammers James, it cannot not have touched him as well.
2, How much is this film about male/female relationships?
Juliette: “Abbas is pessimistic about whether men and women can communicate. The fact is that women are so much more involved in emotions than men are. We expose ourselves more than men, perhaps because we give birth. Of course, I don’t like to generalize: my character is also very male, goes forward, is active. And Abbas also said that the woman character is him: he raised his children on his own, he did the mother’s job. As an Iranian man, he is very generous with women. “
She continued with the gender discussion — perhaps a key to this film which ends with Juliette’s character in frustrated tears, lying on a bed. “What Abbas says is that men tend to put an intellectual distance between their emotions and the world in order to function, which is understandable, because if everyone were expressing emotion, the world would be upside down. I think we push men too much in trying to communicate, to get more intimate.”
合法副本Copie conforme(2010)
又名：似是有缘人(港) / 爱情对白(台) / 原样复制 / 原型复制 / 完美仿品 / Certified Copy
上映日期：2010-05-18(戛纳电影节) / 2010-05-19(法国)片长：106分钟
主演：朱丽叶·比诺什 Juliette Binoche/威廉姆·西梅尔 William Shimell/让-克劳德·卡瑞尔 Jean-Claude Carrière/Agathe Natanson/Gianna Giachetti/Adrian Moore/Angelo Barbagallo/Andrea Laurenzi/Filippo Trojano/Manuela Balsimelli
导演：阿巴斯·基亚罗斯塔米 Abbas Kiarostami编剧：阿巴斯·基亚罗斯塔米 Abbas Kiarostami/Caroline Eliacheff/Massoumeh Lahidji
